Thursday, February 11th, 2010
Does Superman need to hit people?
(WARNING: May contain fanboy trying to be objective!)
Originally, this was going to be a post called ‘Does the bad guy have to die?’ but the recent announcement that Chris Nolan will be ‘Godfathering’ the next Superman film has me contemplating the fate of the Man of Steel on the silver screen.
When Superman Returns was on over Christmas, the usual jibe that the plot is ‘Superman lifts a series of increasingly heavy objects’ (Oops…possible spoilers
) started appearing on twitter and that what we all really wanted was to see Superman scrapping with some kind of giant beastie. But this instantly brings up the other general moan about Superman; that he’s ‘just too powerful’. So who’s he going to hit?
When DC Comics published The Death of Superman in the 90s (and had a younger me sobbing unashamedly) they created the mysterious creature nicknamed ‘Doomsday’.
For anyone who hasn’t read it, the premise is basically that Superman and Doomsday duke it out across American and into Metropolis. A lot of the actual plot or story is carried by the rest of the cast (Lois Lane and other less powerful superheroes) looking on, reacting in horror and helplessness. But, having re-read this story older and slightly more cynically, I did start to wonder why Superman didn’t just throw Doomsday up into space. But, again, doesn’t that just count as the ‘lifting a heavy object’ plot?
Hmmn. So what to do?
I’ve always thought that – apart from Lex Luthor – the best nemesis for Superman is that, for all his speed and strength, he still can’t be in two places at once. He can’t save everyone. To my mind, at its best, Smallville gets it right, primarily as the onus is on the Clark Kent/ Superman balance. Most episodes DO end with him turning up and punching someone in the nick of time to save his friends. But the fun of the episode is always whether Clark will find where he has to get to and who he has to punch someone and, more specifically, if he can get there in time without Lois noticing.
And I think this where Bryan Singer’s Superman went badly wrong. There was no mention of Clark for entire second half of the film. I’m not saying that Clark needed to be bumbling around Metropolis exploded. But the fact that the Daily Planet was evacuated and no one thought once to say ‘Hey, has anyone seen Clark?’ showed a different concern from the film-makers. But perhaps the Smallville structure only works due to it being an ongoing series than standalone feature that needs a third act.
To those who say that the ending of Superman Returns was anticlimactic, I can only say that (as is usual) the problem with the Ending was the Beginning and the Middle. But I do have a huge soft spot for the film – Superman, as a concept, is far more optimistic (or, indeed, soppy) than the likes of Batman in much the same as the difference in tone between Star Trek and Star Wars. But if the film had been as uplifting as the teaser trailer below, I, for one, would have been amazingly happy.
But ultimately, the finished film seemingly could not make up its mind what its main plot was. I’d say that the key flaw with Superman Returns wasn’t only that the makers decided against a big punch-up climax, but they really didn’t deliver on the Lois/Clark/Superman triangle either. Even if the film had ended with Supes pummelling Lex Luthor into villainous Spacey-chunks, we still probably wouldn’t have cared that much.
So while my answer to whether Superman has to hit people is probably ‘yes’… it’s not why I’ll be buying my ticket. What about you?



February 11th, 2010 at 2:30 pm
Richard Cookson said:
Superman, for my money, is very hard to get right and very easy to get wrong. Hence the majority of his appearances being less than vigilanticious.
For my money, there are only three Superman comics I’ve read that actually work: Kingdom Come, Red Son and All Star Superman. The interesting thing about all 3 is that they ultimately don’t pit Superman against a beastie he has to fight. That’s allways going to be a dead end because, well, he is Superman. What instead they do is exactly what you suggest: put Superman up against an impossible situation, where he’s instead caught up in morally tricky dilemma’s that fists and flight won’t solve. In these, he defines himself as a hero by the actions he has to take despite not necessarily being able to win.
Finally, there is actually a fourth great Superman story that I must mention. It’s Hitman #34. And it does all of the above in 22 perfect pages, without monsters, Luthors or even Lanes.
February 11th, 2010 at 2:42 pm
Gary Bainbridge said:
Superman’s super strength is like The Doctor’s sonic screwdriver. If you’re making a Superman movie, you’ve got to show that he can take out the bad guys with a massive punch, but the best stories give Superman an opponent he can’t beat with a flex of his muscles. That’s why, in my opinion, the John Byrne Lex Luthor was such a good nemesis. Because Luthor stayed within the law, or, at least, beyond prosecution, and because Superman is morally pure, he couldn’t just fling Lex into jail and/or the sun.
February 11th, 2010 at 2:44 pm
Gary Bainbridge said:
Oh, no. Mangled syntax. The last sentence should read : “Because Luthor stayed within the law, or, at least, beyond prosecution, and because of his own moral purity, Superman couldn’t just fling Lex into jail and/or the sun.”
February 11th, 2010 at 3:09 pm
john said:
Absolutely, this is why I’ve always thought Lex was a great villain and even the idea of making him (a corrupt) President was ingenious. He’s everything man can accomplish - even if by nefarious means, he’s still human.
The Sonic Screwdriver is a really good comparison. Ultimately Superman/The Doctor should triumph because of who they are not just what they can do.
There are plenty of characters who define themselves by the action they take in a crisis but I guess Superman’s real strength is holding back when us puny humans can’t just play nice.
Resisting the temptation to overthrow our planet and splat anyone who starts messing around is what really makes him a good guy.
* * * * *
Hitman #34 was actually one of the prime inspirations when I writing this but I wasn’t going to mention it as only about four people here would know what I was on about
But yes, it’s an amazing Superman story and possibly one of my favourite things Garth Ennis has written.